Fig 1 |
Edward Scissorhands is a heart-warming blend of gothic peculiarity
entwined with fifties suburbia, made in 1990 at the hand of Tim Burton. The
premise follows the story of Peg, a small-time AVON entrepreneur, who stumbles
upon a strange, secluded man by the name of Edward whilst hunting for potential
clients. Edward is a troubled and incomplete being whose creator died before
finishing him, thus he is stricken with the disability of having scissors as an
alternative to hands. Though Edward is a seemingly alien being to the
townspeople, he is welcomed into the community with positive and negatives
consequences for his naivety.
The cinematography and contrasting art styles together form
delightful storybook visuals. The small, generic town is described as “Bright colours in unlikely combinations, (for
instance, a lavender-suited Avon lady driving a dandelion-yellow car) and
fashionably ridiculous late-1950’s artefacts placed prominently through the
characters’ bunker-like homes.” (Maslin, 1990) The bizarre surrealism of
the fifties style gives the audience a look through the filter of Edward’s
perspective (see Fig 2), which presents a satirical glance into the lives of housewives
with nothing better to do when a complete stranger enters their conformist
town. In a world in which traditional ideas are the foundation of society,
Edward manages to make himself a local celebrity amongst the gossiping townsfolk,
which reflects the idea of celebrity in the real world, in which abnormality is
often confused with status.
The film is typically Burton-esque, with the gothic nature
of his style slowly developing into what it is today, through the character of
Edward and typical trademarks which carry his films. “The peculiar shrine-like assemblage of clippings in Edward’s fireplace;
the bladelike beams that open a hole in his roof to the heavens and the
inventor’s cherished machinery, so pleasantly antiquated that the machines seem
to have animal faces.” (Maslin, 1990) This statement perfectly reflects the
childlike connections that Burton attaches to the cinematic narrative, opening
with magical imagery of paper cuttings falling in sequence (see Fig 3) and machinery
dancing to the sinister acoustics of Danny Elfman’s orchestra.
Edward as a character was born from varying stylistic
elements. “Depp’s movements, his voice,
even his eyes ache of a character that is trapped within a body that isn’t who
he is, but which defines him nonetheless.” (Tauchert, 2009) The character
is reminiscent of the Somnambulist, Cesare, who features in another Burton-esque
film; Das Cabinet des Dr. Caligari, (see Fig 4) whose
eerie presence and thin, pale demeanour completely reflects the tortured soul
of Edward. Burton even references the fact that Depp was cast as he felt he was
in a similar position to the character. “(Depp)
was looked upon then as a handsome leading man, yet I don’t think he felt that
way. That’s why he wanted to do Edward Scissorhands: he understood that thing
of being perceived as one thing and being something else.” (Burton, 2006)
Unquestionably, Edward
Scissorhands has become one of the leading films of its narrow genre; a
classic tale of Beauty and the Beast seen through the lens of an abstract director who doesn’t let the audience forget
for a moment how extraordinary film can be when the parameters are pushed.
Bibliography
Quotations
Maslin, J. (1990) Edward Scissorhands Film Review.
http://www.nytimes.com/movie/review?res=9C0CE2D81338F934A35751C1A966958260&partner=Rotten%2520Tomatoes (Accessed on 17.11.13)
Tauchert, C. (2009) Edward Scissorhands Film Review.
http://www.denofgeek.com/movies/14887/revisiting-tim-burtons-edward-scissorhands (Accessed on 17.11.13)
Burton, T. (2006) Edward Scissorhands Interview.
http://www.totalfilm.com/features/interview-with-tim-burton (Accessed on 17.11.13)
Imagery
Fig 1. Edward Scissorhands Poster (1990) From: Edward Scissorhands - Directed by: Tim Burton
https://lh3.googleusercontent.com/-8PfwAfSWcRk/S-xFhwi_l4I/AAAAAAAAIYs/ssod3tuoGIk/Edward%252520Scissorhands%252520-%252520Poster%25252001%252520%2525281990%252529.jpg (Accessed on 17.11.13)
Fig 2. Edward Scissorhands Town Still (1990) From: Edward Scissorhands - Directed by: Tim Burton
http://fogsmoviereviews.files.wordpress.com/2012/05/edward_scissorhands_hill.png (Accessed on 17.11.13)
Fig 3. Edward Scissorhands Opening Still (1990) From: Edward Scissorhands - Directed by: Tim Burton
http://georgieexx.files.wordpress.com/2012/01/dpvjsepjgsejpo.png (Accessed on 17.11.13)
Fig 4. Das Cabinet des Dr. Caligari Still (1920) From: Das Cabinet des Dr. Caligari - Directed by: Robert Wiene
Another thoughtful review Josh :)
ReplyDeleteJust be careful of your spelling - you have 'bladelike beans' in the roof !!